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Senin, 30 November 2009

Free Animated Screensavers

Animation is the technology of creating a stimulation of movement by displaying a series of pictures, or frames, one after the another, after a specified duration, so as to create a moving effect. Cartoons on the television are one such example of the animation. Animation on computers is one of the chief ingredients of the world of multimedia. And one of the main aspects of this ever-popular world of multimedia is animated screensavers. Animated screensavers create an illusion of the moving images and figures on your display screen.

These animated screensavers are created with the aid of digital computers and specialized animation software like flash, director, Microsoft GIF animator, and many others.

There are large numbers of free animated screensavers available on the Internet, offering different themes and categories. These screensavers can be downloaded onto your screen without any hassle, just by simply downloading it from the Internet, free of cost. You can always seek help of the different search engines to look for your favorite animated screensaver to enliven and decorate your screen. Some popular screensavers are cascading waterfalls, falling snow, moving cartoons, singing Santa, and many others. Some of the other screensavers reflecting the effect of the magical world of animation are free lake scenes—a beautiful and relaxing display of a photographic lake scenes that come to life with animation. The dancing baby screensaver brings on your screen a dancing doll that can modify its steps based on your mouse instructions.

Bring these animated screensavers on your display screen and be ready to express yourself and your mood with beauty and style.

Beautiful Blue Sky Images Hi Res


Winter Landscape Hd wallpapers 1600 x 1200 px


Art Appreciation in a Train Station

Gare (Station) d'Orsay was completed in 1900 facing River Seine and became the first electrified urban rail terminal in the world. In 1977, it was converted into a museum with the same name, Musée d'Orsay, and has been guarding the French Government's collection of paintings, sculptures, furniture and photographs since then.




The entrance fee was €8 at the time of my visit in June 2009. I got a ticket with Millet's The Gleaners, one of his most celebrated works.




This ticket opened my eyes to a vast exhibition area, which is much better than those enclosed galleries in some other museums in my opinion. I like open space.




The first painting I looked for was no other than Millet's The Gleaners, since it was printed on my ticket. The original work was definitely more stunning than the tiny little print on my ticket.




On the larger walls of the ground floor, a few life-size paintings were on display. Some sculptures were lined along the walkway as well.




The ground floor also houses Manet's and Monet's paintings, as well as some other impressionist artists' works.






The walkway of the ground floor were lined with sculptures for visitors to appreciate at close range. Those standing on the ground and sitting on the benches not included!




The upper floors display the smaller paintings, mostly from the impressionism and post-impressionism era.




That includes one of Van Gogh's self-portrait painting and one of his last 100 or so works produced during the last ten weeks of his life, The Church at Auvers. I like Vincent van Gogh's paintings very much for their vivid colours and wave-like patterns.






During my visit, there was a non-permanent exhibition of Italian portraits which I like for their warm tone, rich colours and the environmental details.






One of the paintings that shouldn't be missed here is Bal du moulin de la Galette (commonly known as Le moulin de la Galette) by Renoir. Nobody would doubt that this is one of the most celebrated masterpieces in impressionism.




As I was walking around, I saw some teenage girls chatting while resting, ignoring Caillebotte's Les raboteurs de parquet (The Floor Scrapers) scrapping the floor behind them. Nevertheless, they at least caught the attention of another girl.




The last batch of paintings I appreciated included this Tahitian Women on the Beach by Gauguin. There were just too many paintings to appreciate in this museum! My €8 was well spent. I think most painting lovers will agree with me.


Beautiful Images Flowers and Butterfly



Widescreen Paradise Beach

Sabtu, 28 November 2009

Abstract 3D Images, Cool Wallpapers



The Acting Brain!

The BBC promises us a look
Inside an actor's brain during a performance
Actress Fiona Shaw had an fMRI scan. Parts of her brain were more active while she was reading a poem by T. S. Eliot featuring dialogue than when she was merely counting. So what?

The fact that different parts of Shaw's brain were active whilst reading Eliot than when counting out loud is unsurprising. Different parts of the brain do different things - this is not news - and reading poetry is certainly very different from counting. This doesn't mean that "Fiona Shaw's brain appears to be adapted to acting", as the article says. If your brain was adapted to acting it would look like this:

All dressed up, skull in hand, ready to portray Hamlet - "Alas, poor Yorick..." Actually, brains generally do carry skulls around with them, so maybe there's something in it.

In fact, Shaw's brain presumably is adapted to acting - she's an actress. If you're able to do something, your brain must be able to do it, because you are your brain after all. In just the same way, my brain is adapted to being a neuroscientist and Barack Obama's brain is adapted to being President. This is not news either. However, the fMRI scan doesn't tell us anything about how Shaw's brain is adapted to acting.

We are told which areas of Shaw's brain lit up while she was reading poetry, and what this means -
Towards the front of the brain there is a part associated with "higher order" control of behaviour. Towards the top of the brain is a section which controls the movement of the hands and arms - even though she wasn't waving her arms about, she was apparently thinking about doing so.

And towards the back of the head is an area associated with complex visual imagery, even though she wasn't performing a complex visual task. The scan backs up work with professional impressionists, whose brains also conjure up visual images of the people they're imitating.

All very plausible - this is a nice convincing story to explain what these brain areas are doing while reading a passage of poetry in which people are talking to each other. It makes perfect sense. But the problem is, so would anything else.

Suppose that Shaw's hippocampus had lit up as well. That's involved in memory. She's remembering having read T. S. Eliot before! What if she's never read him? Well, the hippocampus must be forming a new memory. Her medial prefrontal cortex is activating? Clearly, that's the emotional impact of reading this masterpiece of modernist poetry. And so on. These areas did not, in fact, light up, but if they had, it would have made perfect sense too.

The point is that we all know what kinds of things go on in our heads while reading poetry - visual imagery, memories, emotions etc. And each brain region has numerous functions, many of which are sufficiently vague ("social cognition", "emotion") to cover almost anything, especially if you allow that a brain area can activate whenever someone is merely thinking about doing something rather than actually doing it. So whatever blobs appear on the brain, it's easy to invent a story linking these to the whatever task is going on.

It's like astrology. Astrological "readings" always seem accurate because they can be made to fit anyone. Actress Fiona Shaw is a Leo and Leo's have "a flair for drama. In fact, many Leos are attracted to the theatre, the performing arts and public relations". It fits so well! Actually, I made a mistake with my dates, she's a Libra. No problem, "Libra is among the most sociable of the signs...drawn toward creative endeavours." - obviously a born actress. And so on. (She's actually a Cancer.)

Perhaps it's unfair to criticize this experiment. It was a demonstration of fMRI technology for the "Wellcome Collection's new exhibition on identity". The scan was for educational purposes only, it wasn't meant to be proper science.

The problem is that a lot of what is meant to be rigorous science consists of this kind of thing. The Discussion sections of many fMRI papers are full of stories linking whatever brain regions happened to be activated to whatever the task in the experiment was. Most fMRI studies today are more sophisticated than simply scanning normal people doing some task, but the same kind of post-hoc storytelling can be applied to areas of the brain that light up differently in mentally ill people compared to healthy people, or areas that light up in response to a drug, etc.

Of course this doesn't mean that these stories are false. Shaw's visual cortex probably did activate because she was mentally imagining the people and the scene she was reading about - that explanation's good enough for me. The point, though, is that we don't really know, because whatever the fMRI data was, we could have made an equally convincing story having seen it.

What we need are hypotheses made up before doing the experiment, which can then be tested and verified, or falsified, on the basis of the data. As I wrote a couple of months back:
Much of today's neuroimaging research doesn't involve testable theories - it is merely the exploratory search for neural differences between two groups. Neuroimaging technology is powerful, and more advanced techniques are always being developed... the scope for finding differences between groups is enormous and growing.

Exploratory work can be useful as a starting point, but at least in my opinion, there is too much of it. If you want to understand the brain you need a theory sooner or later. That's what science is about.

The Acting Brain!

The BBC promises us a look
Inside an actor's brain during a performance
Actress Fiona Shaw had an fMRI scan. Parts of her brain were more active while she was reading a poem by T. S. Eliot featuring dialogue than when she was merely counting. So what?

The fact that different parts of Shaw's brain were active whilst reading Eliot than when counting out loud is unsurprising. Different parts of the brain do different things - this is not news - and reading poetry is certainly very different from counting. This doesn't mean that "Fiona Shaw's brain appears to be adapted to acting", as the article says. If your brain was adapted to acting it would look like this:

All dressed up, skull in hand, ready to portray Hamlet - "Alas, poor Yorick..." Actually, brains generally do carry skulls around with them, so maybe there's something in it.

In fact, Shaw's brain presumably is adapted to acting - she's an actress. If you're able to do something, your brain must be able to do it, because you are your brain after all. In just the same way, my brain is adapted to being a neuroscientist and Barack Obama's brain is adapted to being President. This is not news either. However, the fMRI scan doesn't tell us anything about how Shaw's brain is adapted to acting.

We are told which areas of Shaw's brain lit up while she was reading poetry, and what this means -
Towards the front of the brain there is a part associated with "higher order" control of behaviour. Towards the top of the brain is a section which controls the movement of the hands and arms - even though she wasn't waving her arms about, she was apparently thinking about doing so.

And towards the back of the head is an area associated with complex visual imagery, even though she wasn't performing a complex visual task. The scan backs up work with professional impressionists, whose brains also conjure up visual images of the people they're imitating.

All very plausible - this is a nice convincing story to explain what these brain areas are doing while reading a passage of poetry in which people are talking to each other. It makes perfect sense. But the problem is, so would anything else.

Suppose that Shaw's hippocampus had lit up as well. That's involved in memory. She's remembering having read T. S. Eliot before! What if she's never read him? Well, the hippocampus must be forming a new memory. Her medial prefrontal cortex is activating? Clearly, that's the emotional impact of reading this masterpiece of modernist poetry. And so on. These areas did not, in fact, light up, but if they had, it would have made perfect sense too.

The point is that we all know what kinds of things go on in our heads while reading poetry - visual imagery, memories, emotions etc. And each brain region has numerous functions, many of which are sufficiently vague ("social cognition", "emotion") to cover almost anything, especially if you allow that a brain area can activate whenever someone is merely thinking about doing something rather than actually doing it. So whatever blobs appear on the brain, it's easy to invent a story linking these to the whatever task is going on.

It's like astrology. Astrological "readings" always seem accurate because they can be made to fit anyone. Actress Fiona Shaw is a Leo and Leo's have "a flair for drama. In fact, many Leos are attracted to the theatre, the performing arts and public relations". It fits so well! Actually, I made a mistake with my dates, she's a Libra. No problem, "Libra is among the most sociable of the signs...drawn toward creative endeavours." - obviously a born actress. And so on. (She's actually a Cancer.)

Perhaps it's unfair to criticize this experiment. It was a demonstration of fMRI technology for the "Wellcome Collection's new exhibition on identity". The scan was for educational purposes only, it wasn't meant to be proper science.

The problem is that a lot of what is meant to be rigorous science consists of this kind of thing. The Discussion sections of many fMRI papers are full of stories linking whatever brain regions happened to be activated to whatever the task in the experiment was. Most fMRI studies today are more sophisticated than simply scanning normal people doing some task, but the same kind of post-hoc storytelling can be applied to areas of the brain that light up differently in mentally ill people compared to healthy people, or areas that light up in response to a drug, etc.

Of course this doesn't mean that these stories are false. Shaw's visual cortex probably did activate because she was mentally imagining the people and the scene she was reading about - that explanation's good enough for me. The point, though, is that we don't really know, because whatever the fMRI data was, we could have made an equally convincing story having seen it.

What we need are hypotheses made up before doing the experiment, which can then be tested and verified, or falsified, on the basis of the data. As I wrote a couple of months back:
Much of today's neuroimaging research doesn't involve testable theories - it is merely the exploratory search for neural differences between two groups. Neuroimaging technology is powerful, and more advanced techniques are always being developed... the scope for finding differences between groups is enormous and growing.

Exploratory work can be useful as a starting point, but at least in my opinion, there is too much of it. If you want to understand the brain you need a theory sooner or later. That's what science is about.

Jumat, 27 November 2009

Animated Backgrounds - Wow Your Viewers With Your Choice

Using animated backgrounds for the first time can be a little bit daunting. Thankfully, it is actually easier than ever and can lead to some excellent results if you are prepared beforehand.

The first thing you need to know is that you've made the right choice in exploring backgrounds with motion in them. There is nothing more boring than staring at a presentation that uses a dull, stationary background. The fact that yours will be animated means that you're on the right track already!

The next thing you need to do, however, is make sure you're choosing the background that is right for your project. While most animated backgrounds are interesting, you need to make sure it's neither too subtle nor too over-the-top for the feel you're going for in your video.

To get a feel for the kind of background you might include you should imagine your target audience as they watch your video. What do they like to do? What kinds of things interest them? Knowing this and getting a clear picture in your head can help you choose the animations that will fit in with their style. Another thing you need to do before you choose an animated background is decide what you want the person to feel as they watch. Do you want excitement, empathy, inspiration, happiness, or what? Knowing what kind of emotion you want to evoke is half the battle when it comes to choosing a great animation.

Do keep in mind that while these things are all important, you don't want to over-analyze things either. As long as your video is great to look at and has professional appeal you should have nothing to worry about.

It makes it even easier when you have access to animated backgrounds that you can really trust. It's a great thing that there are so many backgrounds that are available royalty free. That means you can use them where you'd like in your videos! You can also make them shorter, loop them, or splice them together for a unique feel.

If all this sounds foreign to you right now- don't worry! As you start the process of creating video with motion backgrounds you'll realize that It's a lot easier than you think. Part of the reason this is true is because a lot of the work is done for you when the background is all ready to go!

Whether you've yet to make your first video or are a seasoned veteran, you can create professional quality videos in less time that you think. Better yet, it will cost a lot less than you think as well! That is a great thing since the more video you're able to produce these days, the better. Choosing animated backgrounds is easy, but there are some things you need to consider along the way. Knowing your audience and choosing animations that get your point across is key.

Mount Rainier Washington

Wallpapers Lake O'Hara Canada

Kamis, 26 November 2009

Ant and DECK!

Is it me, but was the new Norwegian Epic ship designed by Declan Donnelly. The only reason I ask is that this ship to me looks Suspiciously like his co- host and partner in crime Ant Mcpartlin. Have a look at the above pictures and tell me if you can see a similarity? Sorry Ant!